オルメルカ
オルメルカ
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awkwardsituationist:

brazil’s yacare caiman was once hunted to near extinction for its valuable skin, but thanks to a global ban on the trade, its home in the pantanal — the world’s largest wetland, situated along along the paraguay river — now supports the world’s largest population of crocodiles. the caiman, however, face new threats: deforestation, dams, tourism, mining and seaport development.
photos by luciano candisani, who notes that the caiman are neither aggressive nor fearful but, for the most part, approachable - especially when busy with the shoal fish seen here in the pantanal’s shallow, murky waters.
awkwardsituationist:

brazil’s yacare caiman was once hunted to near extinction for its valuable skin, but thanks to a global ban on the trade, its home in the pantanal — the world’s largest wetland, situated along along the paraguay river — now supports the world’s largest population of crocodiles. the caiman, however, face new threats: deforestation, dams, tourism, mining and seaport development.
photos by luciano candisani, who notes that the caiman are neither aggressive nor fearful but, for the most part, approachable - especially when busy with the shoal fish seen here in the pantanal’s shallow, murky waters.
awkwardsituationist:

brazil’s yacare caiman was once hunted to near extinction for its valuable skin, but thanks to a global ban on the trade, its home in the pantanal — the world’s largest wetland, situated along along the paraguay river — now supports the world’s largest population of crocodiles. the caiman, however, face new threats: deforestation, dams, tourism, mining and seaport development.
photos by luciano candisani, who notes that the caiman are neither aggressive nor fearful but, for the most part, approachable - especially when busy with the shoal fish seen here in the pantanal’s shallow, murky waters.
awkwardsituationist:

brazil’s yacare caiman was once hunted to near extinction for its valuable skin, but thanks to a global ban on the trade, its home in the pantanal — the world’s largest wetland, situated along along the paraguay river — now supports the world’s largest population of crocodiles. the caiman, however, face new threats: deforestation, dams, tourism, mining and seaport development.
photos by luciano candisani, who notes that the caiman are neither aggressive nor fearful but, for the most part, approachable - especially when busy with the shoal fish seen here in the pantanal’s shallow, murky waters.
awkwardsituationist:

brazil’s yacare caiman was once hunted to near extinction for its valuable skin, but thanks to a global ban on the trade, its home in the pantanal — the world’s largest wetland, situated along along the paraguay river — now supports the world’s largest population of crocodiles. the caiman, however, face new threats: deforestation, dams, tourism, mining and seaport development.
photos by luciano candisani, who notes that the caiman are neither aggressive nor fearful but, for the most part, approachable - especially when busy with the shoal fish seen here in the pantanal’s shallow, murky waters.
awkwardsituationist:

brazil’s yacare caiman was once hunted to near extinction for its valuable skin, but thanks to a global ban on the trade, its home in the pantanal — the world’s largest wetland, situated along along the paraguay river — now supports the world’s largest population of crocodiles. the caiman, however, face new threats: deforestation, dams, tourism, mining and seaport development.
photos by luciano candisani, who notes that the caiman are neither aggressive nor fearful but, for the most part, approachable - especially when busy with the shoal fish seen here in the pantanal’s shallow, murky waters.
awkwardsituationist:

brazil’s yacare caiman was once hunted to near extinction for its valuable skin, but thanks to a global ban on the trade, its home in the pantanal — the world’s largest wetland, situated along along the paraguay river — now supports the world’s largest population of crocodiles. the caiman, however, face new threats: deforestation, dams, tourism, mining and seaport development.
photos by luciano candisani, who notes that the caiman are neither aggressive nor fearful but, for the most part, approachable - especially when busy with the shoal fish seen here in the pantanal’s shallow, murky waters.
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darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
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Chitoge ≧◡≦ | Episode 11

Chitoge ≧◡≦ | Episode 11

Chitoge ≧◡≦ | Episode 11

Chitoge ≧◡≦ | Episode 11

Chitoge ≧◡≦ | Episode 11

Chitoge ≧◡≦ | Episode 11
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